"I work as an independent visual storyteller who loves
to translate ideas in moving and still scenarios.
to translate ideas in moving and still scenarios.
I collaborate with brands, creative agencies and cultural institutions to create audacious, beautiful and intelligent content for a wide range of needs.
I believe in
simplicity and playfulness
to tell compelling narratives
in order to elevate our communication.”
simplicity and playfulness
to tell compelling narratives
in order to elevate our communication.”
Between imaginary realism and childhood memories, the lightness of being and support of timeless objects are carrying away these women in levitation.
An invite to dream without limits.
“Those who dream by day are cognizant of many things which escape those who dream only by night”
Edgar Allan Poe
Weight is suspended.
Figures rise, carried by objects, memory, or unseen force. The scenes oscillate between childhood recollection and constructed illusion, where gravity yields to imagination.
The image does not explain.
It lifts.
Distance becomes material.
Fog, water, and air flatten depth into a single plane, where the figure drifts without anchor. The image holds at the edge of disappearance.
By the Sea.
The figure dissolves into horizon.
Wrapped, veiled, or suspended within open landscapes, the body becomes a quiet extension of sea, sand, and sky. Gesture is minimal, yet precise—an unfolding rather than an action.
Presence is not asserted.
It is allowed.
The familiar is gently displaced.
Interior spaces—stairs, corridors, rooms—are interrupted by color and movement. A red garment extends beyond the body, a gesture becomes improbable, and architecture softens under narrative tension.
The everyday shifts, without rupture.
Play reorganizes space.
What is known becomes uncertain, not through distortion, but through slight deviation. The image remains intact, yet no longer fixed.
Staycation
The familiar is gently displaced.
Interior spaces—stairs, corridors, rooms—are interrupted by color and movement. A red garment extends beyond the body, a gesture becomes improbable, and architecture softens under narrative tension.
The everyday shifts, without rupture.
The work of Maia Flore unfolds through light intervention.
Across landscapes, interiors, and staged environments, her images introduce a quiet disruption—never enough to fracture reality, but sufficient to shift its balance. The result is a body of work suspended between the plausible and the improbable.
In By the Sea, the figure approaches dissolution.
Wrapped in fabric or partially obscured, the body merges with its surroundings. Horizon, water, and air flatten into a continuous field, reducing distance and softening boundaries. The subject is no longer distinct from the environment—it participates in it. Presence becomes diffuse, held lightly within the frame.
Staycation relocates this sensibility into the interior.
Architecture remains stable, yet its function is gently undone. Movement extends beyond physical logic, color disrupts neutrality, and gesture acquires a narrative charge. The everyday is not rejected, but reconfigured. Familiar spaces become sites of subtle transformation.
In Sleep Elevations, gravity is removed altogether.
Figures rise, supported by objects or suspended without visible cause. The imagery recalls childhood perception, where the boundary between reality and imagination remains permeable. Levitation is not spectacle—it is a condition of thought made visible.
Across these works, simplicity operates as structure.
Interventions are minimal, yet exact. The images do not rely on excess or distortion, but on precise shifts in expectation. What emerges is a visual language grounded in play, yet disciplined in execution.
The work does not escape reality.
It repositions it—just enough to reveal its underlying elasticity.
