Full Book Design
Comprehensive design of both exterior and interior of the book. The cover includes front, spine, and back as defined above. The interior design involves typesetting, page composition, grid construction, font selection, and the hierarchy of textual and visual elements. Layouts are adapted to the demands of different manuscripts, including novels, collected works, poetry volumes, illustrated texts, or academic publications.
Final output includes print-ready and digital files (PDF, EPUB), formatted for consistent reproduction across print and e-book editions. The package also provides mockups for reference and working files for archival purposes. This service is intended for complete book production, where cover and interior are developed as a unified whole.
An unlimited number of illustrations is included in this package (capped at 100 max.)
Passage 1 — The White Rabbit’s Arrival
“She was considering in her own mind… when suddenly a White Rabbit with pink eyes ran close by her. There was nothing very remarkable in that… but when the Rabbit actually took a watch out of its waistcoat pocket, and looked at it, and hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it…”
Cover illustration inspired by Lewis Carroll’s Alice’s Adventures in Wonderland (1865). In a sun-dappled meadow, Alice gazes in astonishment at a white rabbit with pink eyes, holding a pocket-watch and dressed in a tiny waistcoat. Time itself seems to shimmer around the watch, light bending in soft waves. The atmosphere is whimsical yet uncanny, like the first breath of a dream.
Passage 2 — The Pool of Tears
“She went on crying in this way… until there was a large pool all round her, about four inches deep and reaching half down the hall. She swam about, trying to find her way out, and she swam past a curious creature — a Mouse — swimming also.”
Cover illustration inspired by Alice’s Adventures in Wonderland (1865). Inside a vast hall bathed in moonlight, Alice floats in a pool made of her own tears, her dress billowing like a cloud around her. A small mouse swims beside her, equally adrift. Shadows of arches and doors stretch across the water. The scene glows with melancholy magic, fragile and surreal.
Passage 3 — The Mad Tea Party
"A long table was set out under the trees… the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head."
Cover illustration inspired by Alice’s Adventures in Wonderland (1865). Beneath crooked trees in twilight, a long table is covered with mismatched teapots and cups. The Mad Hatter, the March Hare, and the Dormouse slumbering between them create a tableau both whimsical and eerie. Light filters through leaves, casting dreamlike shadows. The atmosphere is surreal, festive yet haunted, as if caught between childhood wonder and strange enchantment.”
